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    <loc>https://lolakramer.net/lola-kramer-bunny-rogers</loc>
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      <image:title>IN CONVERSATION WITH BUNNY ROGERS</image:title>
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    <loc>https://lolakramer.net/bastard-cookbook-fciny-lola-kramer</loc>
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      <image:caption>Photography: Janne Tuunanen.</image:caption>
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    <loc>https://lolakramer.net/zak-kitnick-lola-kramer</loc>
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    <lastmod>2019-04-20</lastmod>
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  <url>
    <loc>https://lolakramer.net/new-page</loc>
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    <priority>0.75</priority>
    <lastmod>2019-10-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555790253658-C7TSZNP5S0P340K4AOYJ/WHITNEY+CATALOG.jpg</image:loc>
      <image:title>ALEXANDRA BELL, FOR THE WHITNEY BIENNIAL 2019 CATALOG</image:title>
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  <url>
    <loc>https://lolakramer.net/whiteny2019biennial</loc>
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    <lastmod>2019-10-14</lastmod>
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      <image:title>WHITNEY MUSEUM 2019 BIENNIAL CATALOG: GALA PORRAS-KIM</image:title>
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  <url>
    <loc>https://lolakramer.net/dora-budor-strange-weather-lola-kramer</loc>
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    <priority>0.75</priority>
    <lastmod>2019-07-17</lastmod>
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      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>stanley brouwn, Art &amp; Project Bulletin 11, (1969). Courtesy RKD–the Archives of Dutch Art.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555809954041-AWHM36L9TP3DLE3EQJZC/6.-John-Cage-Fontana-Mix.jpg</image:loc>
      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>John Cage, Fontana Mix, (1981). Courtesy the John Cage Trust. Cage described the score of Fontana Mix as “a camera from which anyone can take a photograph.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555809744808-GRR4XZQLZ0PI4AY7FSLV/3.-The-Exhibited2-1024x576.jpg</image:loc>
      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Jesper Jargil, still from De Udstillede (The Exhibited), 2000. Courtesy ‬Jesper Jargil Films. One of the rare documents of Lars Von Trier’s Psychomobile #1: The World Clock is Jargil’s “making-of” documentary. As another interpretation in this mechanism of translations, it focuses on the way in which problems between the actors in real life affected their performance, and vice versa.</image:caption>
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      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Cover image for DVD of William Greaves’s Symbiopsychotaxiplasm: Take One (1968), published by Criterion Collection. “Heisenberg asserts that we’ll never really know the basis of the cosmos, because the means of perceiving alters the reality it observes. The electron microscope sends out a beam of electrons that knocks the electrons of the atoms being observed out of their orbits. I began to think of the movie camera as an analogue to the microscope….” William Greaves, in Scott MacDonald (ed), A Critical Cinema 3: Interviews with Independent Filmmakers, (Berkeley, CA: University of California Press, 1942).</image:caption>
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      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Alvin Lucier, Graphic Score for Music for the Solo Performer. Image courtesy of Alvin Lucier, 1965. “Sitting on a chair, eyes closed, Lucier’s brainwaves were recorded from his scalp, amplified and channelled to numerous loudspeakers scattered around the room. […] the loudspeakers were put ‘right up against’ various percussion instruments, which were then activated by means of vibration.” D. Kahn, in Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts(Oakland, CA: University of California Press, 2013).</image:caption>
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      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Jesper Jargil, still from De Udstillede (The Exhibited), 2000. Courtesy ‬Jesper Jargil Films.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555809793038-UQY5MN6I0XZ9OYRB1J8Y/1.-Powers-of-Ten.jpg</image:loc>
      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Charles and Ray Eames, Powers of Ten, 1977. Courtesy Eames Office.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555810192793-H0GFMIB31FXMCYLU2UFY/9.-uiq.jpg</image:loc>
      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Silvia Maglioni and Graeme Thomson, still image from the video In Search of UIQ, (2013). Image courtesy the artist. After translating Guattari’s script “A Love of UIQ,” the authors used the form of a visual essay to extend the idea of the film as a process of contamination, in which the initial screenplay acts as a cinebacteriological vector.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1555810087434-ZTIKFW77E64DJKH8VRVK/8.-Seek_Negroponte-799x1024.jpg</image:loc>
      <image:title>DORA BUDOR: STRANGE WEATHER, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Nicholas Negroponte with Architecture Group Machine MIT, SEEK (1970). Originally shown at the exhibition “Software,” curated by Jack Burnham for the Jewish Museum in New York, 1970. “SEEK’s stated purpose was to play up the misalignment between the computer’s memory, its programmed functions, and its physical environment. It demonstrated the discrepancy between machine models and the real world. The model failed for many reasons, and not just because it was a blocks world. Most strikingly, by anecdotal accounts, SEEK tended to kill the gerbils.” Molly Wright Steenson, “Microworld and Mesoscale,” in interactions 22:4 (July–August 2015), 58–60.</image:caption>
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  <url>
    <loc>https://lolakramer.net/urs-fischer-and-madeline-hollander-lola-kramer-gagosian</loc>
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    <priority>0.75</priority>
    <lastmod>2019-04-21</lastmod>
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  <url>
    <loc>https://lolakramer.net/trisha-baga-lola-kramer-greene-naftali</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-04-21</lastmod>
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  <url>
    <loc>https://lolakramer.net/chrissie-iles-lola-kramer-whitney-museum-dreamlands</loc>
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    <priority>0.75</priority>
    <lastmod>2019-10-14</lastmod>
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      <image:title>WHITNEY CURATOR CHRISSIE ILES ON DREAMLANDS: IMMERSIVE CINEMA AND ART, FOR ACCESSIONS.ORG</image:title>
      <image:caption>Stan VanDerBeek and Joan Brigham, Steam Screens, 1979 (restaging, 2016).” Courtesy of Microscope Gallery © 2016.</image:caption>
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  </url>
  <url>
    <loc>https://lolakramer.net/eva-lewitt-lola-kramer-jewish-museum</loc>
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    <priority>0.75</priority>
    <lastmod>2019-04-21</lastmod>
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    <loc>https://lolakramer.net/rirkrit-tiravanija-lola-kramer</loc>
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    <priority>0.75</priority>
    <lastmod>2020-06-18</lastmod>
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      <image:title>RIRKRIT TIRAVANIJA</image:title>
      <image:caption>Photography by David Brandon Geeting.</image:caption>
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    <image:image>
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      <image:title>RIRKRIT TIRAVANIJA</image:title>
      <image:caption>Photography courtesy Jirawat Tunprasert and Nattaphat Phaethong, Chiang Mai, Thailand, 2019.</image:caption>
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      <image:title>RIRKRIT TIRAVANIJA</image:title>
      <image:caption>Photography by David Brandon Geeting.</image:caption>
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      <image:caption>Installation view from Lawrence Weiner: A Means of Avoiding Bureaucracy, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 9 - May 28, 2017. Master’s thesis exhibition curated by Lola Kramer. Photo: Chris Kendall 2017.</image:caption>
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      <image:caption>Installation view from Lawrence Weiner: A Means of Avoiding Bureaucracy, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 9 - May 28, 2017. Master’s thesis exhibition curated by Lola Kramer. Photo: Chris Kendall 2017.</image:caption>
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      <image:title>LAWRENCE WEINER: A MEANS OF AVOIDING BUREAUCRACY</image:title>
      <image:caption>Installation view from Lawrence Weiner: A Means of Avoiding Bureaucracy, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 9 - May 28, 2017. Master’s thesis exhibition curated by Lola Kramer. Photo: Chris Kendall 2017.</image:caption>
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      <image:title>LAWRENCE WEINER: A MEANS OF AVOIDING BUREAUCRACY</image:title>
      <image:caption>Installation view from Lawrence Weiner: A Means of Avoiding Bureaucracy, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 9 - May 28, 2017. Master’s thesis exhibition curated by Lola Kramer. Photo: Chris Kendall 2017.</image:caption>
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      <image:caption>Installation view from left to right: Dieter Roth, Self Portrait as Sprinter (the original ‘Speedy Drawing’ by Dieter Roth), (1982); Dieter Roth, Untitled, (1980), Pencil on Paper; Felt-pens on Cardboard. Courtesy of Collection David Weiss; Mayo&amp;Friends suitcases, (2014-ongoing).</image:caption>
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      <image:caption>Rirkrit Tiravanija and Antto Melasniemi, the artist/chef duo who have frequently collaborated with The Standard’s Creative + Cultural Director of Asia, Chomwan Weeraworawit, at the Bastard Brother’s preview during Hong Kong Art Basel 2019, Hong Kong Tatler, March 26, 2019.</image:caption>
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      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
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      <image:caption>Installation view at Nicole Klagsbrun Gallery, New York, 1992. Image courtesy: Nicole Klagsbrun.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563384839737-GQB7UZ6AVWET8H0MGXT5/17.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view at Nicole Klagsbrun Gallery, New York, 1992. Image courtesy: Nicole Klagsbrun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385309152-JB5VPHNY08143VESLVUF/05.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385286602-6O7S2GFXJFLCZGPHX45V/04.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385237851-3YGIC6IYED0PQLAJ4AYX/03.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385102076-H4DF0MGFOI58XME7II15/06.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385726293-59O4OENI862YPPF4J3RA/01.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385679012-8LR0N2QF1KOJZ06AA1XB/16.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view at Nicole Klagsbrun Gallery, New York, 1992. Image courtesy: Nicole Klagsbrun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563385818838-J6EYOV2GUI6COJKOT0KA/07.jpg</image:loc>
      <image:title>WALTER SWENNEN, LE SALON</image:title>
      <image:caption>Installation view: Gladstone, New York, 2015. Photo David Regen. Image courtesy: Barbara Gladstone.</image:caption>
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  <url>
    <loc>https://lolakramer.net/peter-sutherland-for-etudes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563383952982-5VQQ0JVWCGHHPWHCUDDU/no-promise-land-etudes-peter-sutherland-lola-kramer.jpeg</image:loc>
      <image:title>PETER SUTHERLAND, FOR ETUDES</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1563387504224-IQAWV6BGYRXF8PXZF3SG/NEW-PROMISE-LAND-PETER-SUTHERLAND-LOLA-KRAMER-ETUDES.jpeg</image:loc>
      <image:title>PETER SUTHERLAND, FOR ETUDES</image:title>
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  <url>
    <loc>https://lolakramer.net/lynne-tillman-leigh-ledare-moderated-by-lola-kramer-2018</loc>
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    <priority>0.75</priority>
    <lastmod>2019-07-24</lastmod>
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      <image:title>LYNNE TILLMAN &amp; LEIGH LEDARE, MODERATED BY LOLA KRAMER (2018)</image:title>
      <image:caption>Artist Leigh Ledare and novelist Lynne Tillman.</image:caption>
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    <loc>https://lolakramer.net/le-salon-anthology-2011-2019</loc>
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    <priority>0.75</priority>
    <lastmod>2019-10-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1570590637215-BOWD0I2AHOKCP01JJT4Z/TB032_13.jpg</image:loc>
      <image:title>WALTER SWENNEN, FOR LE SALON ANTHOLOGY: 2011 - 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1570590575914-F43Q9W9NF7KEUMANZN3R/TB032_01.jpg</image:loc>
      <image:title>WALTER SWENNEN, FOR LE SALON ANTHOLOGY: 2011 - 2019</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/urs-fischer-homo-ludens-for-lofficiel-art-30</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1570646018460-7NJZLCFOA9T4NQWVUPCI/LOfficiel+Art+%23+30_Urs+Fischer.jpg</image:loc>
      <image:title>Copy of URS FISCHER, FOR L’OFFICIEL ART</image:title>
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  <url>
    <loc>https://lolakramer.net/gretchen-bender-so-much-deathless-for-kaleidoscope</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1558106640670-5EASFLBW3DGQYC931MTB/Kaleidoscope_34_Lola+Kramer_Gretchen+Bender_2019.jpg</image:loc>
      <image:title>Copy of GRETCHEN BENDER</image:title>
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  <url>
    <loc>https://lolakramer.net/walter-swennen-for-le-salon-anthology-2011-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1570590575914-F43Q9W9NF7KEUMANZN3R/TB032_01.jpg</image:loc>
      <image:title>Copy of WALTER SWENNEN, FOR LE SALON ANTHOLOGY: 2011 - 2019</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1570590637215-BOWD0I2AHOKCP01JJT4Z/TB032_13.jpg</image:loc>
      <image:title>Copy of WALTER SWENNEN, FOR LE SALON ANTHOLOGY: 2011 - 2019</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/lola-kramer-jill-mulleady-for-kaleidoscope</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1580763886356-0MTRRGXYM73E4BC28WHQ/Kaleidoscope-35-Anne-Imhof.jpg</image:loc>
      <image:title>JILL MULLEADY, FOR KALEIDOSCOPE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/lola-kramer-bunny-rogers-for-interview-magazine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1580762912406-27KKTD1TRJNALBAW3DEP/Interview_Winter19_Online_150dpi_BEAUTY-600x780.jpg.pagespeed.ce.Z2yw2Z5w4V.jpg</image:loc>
      <image:title>BUNNY ROGERS, FOR INTERVIEW MAGAZINE</image:title>
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  </url>
  <url>
    <loc>https://lolakramer.net/tishan-hsu-for-kaleidoscope-1-lola-kramer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1604429588760-0YLD5QIAWPZVUXG3RXKB/KALEIDOSCOPE_ISSUE+37_2020-2021-LOLA-KRAMER.jpg</image:loc>
      <image:title>TISHAN HSU, FOR KALEIDOSCOPE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1623369160270-WHFEOBFHJAI09V1V2U32/Kaleidoscope_Tishan+Hsu_Lola+Kramer_lowres.jpg</image:loc>
      <image:title>TISHAN HSU, FOR KALEIDOSCOPE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/sisters-with-transistors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/c5d41486-2f12-4013-8f54-f956c9b99f83/Robin-F.-Williams-catalog.jpg</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1634761320646-0HIWSDO3K8HOI9VLQNVW/Lola+Kramer_Rachel+Rossin_In+Conversation_The+National+Arts+Club_2021.png</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Emerging Ideas within Painting and Virtual Reality: A Conversation   October 7, 2021 The National Arts Club, New York [Art &amp; Tech]  Join us for a conversation between artist Rachel Rossin and independent curator Lola Kramer. Rossin and Kramer will discuss and demonstrate emerging ideas within painting and virtual reality in the ever-expanding field of fine art, recent technological discoveries, and methods of interaction within the arts. Rachel Rossin is a self-taught multidisciplinary artist who has gained recognition for her exhibitions that blend oil painting, sculpture, 3D animation and virtual reality. Over the years, Rossin’s work has exhibited with K11 Art Museum (Shanghai), Kiasma Museum of Contemporary Art (Helsinki), Museum of Contemporary Art Detroit, Frist Art Museum, Akron Art Museum, San Jose Museum of Art, and The New Museum. Lola Kramer is an independent curator and writer based in New York City. Previously, she was the Curatorial Director of the contemporary art non-profit Wide Rainbow. Kramer received her MA at the Center for Curatorial Studies, Bard College, and presented an exhibition and thesis on the work of Lawrence Weiner and has worked with the Whitney Museum, the Hammer Museum, and the Swiss Institute. Photo Credit: Morgan Connellee / Photo Credit: Art21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/93914151-f687-467f-a97e-c44a86814336/Screenshot+2024-12-12+at+2.14.51%E2%80%AFPM.png</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Read: “Dorothea Rockburne – New York great’s first big UK show all comes down to one long, mesmerising line,” by Adrian Searle, The Guardian, November 27, 2024. Read here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1634761728001-TT2HGEJ43XFXTIKDNMDV/Young+Curators+Summer+2021_Lola+Kramer_Page_2.jpg</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/f76aecc3-eeeb-476a-9350-e585267dec77/Dorothea-Rockburne_Laura-Bannister_Bernheim-London_Lola-Kramer.jpg</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/2e2d898a-c9f2-4926-bed2-6e5bc7a8d6da/Screenshot+2024-12-12+at+2.10.40%E2%80%AFPM.png</image:loc>
      <image:title>*news* - Make it stand out</image:title>
      <image:caption>Read: “At 95, Artist Dorothea Rockburne Is Still Using Math to Explore the Sublime,” by Grace Edquist, Vogue, November 25, 2024. Read here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/lola-kramer-ryan-foerster-video-club-clearing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1622742582076-KVAY0Z1QVTZRUEWMSS1Z/screen-shot-2021-03-09-at-2.02.45-pm.png</image:loc>
      <image:title>RYAN FOERSTER: VIDEO CLUB</image:title>
      <image:caption>Digital still from Ryan Foerster, AMERICAN TRILOGY DOES ANYBODY HAVE ANY WATER? MY PET ZOMBIE LOVES NEW YORK, ROGER GETS CLEAN, BRIGHTON BEACH (2014)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/art-club2000-for-kaleidoscope</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1623368711016-YHJ8YHGR6X38F5AK2IXC/K38_ART+CLUB200_SELLING+OUT_lowres.jpg</image:loc>
      <image:title>ART CLUB2000, FOR KALEIDOSCOPE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/pagecv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-04</lastmod>
  </url>
  <url>
    <loc>https://lolakramer.net/mercedesbenz</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-15</lastmod>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-15</lastmod>
  </url>
  <url>
    <loc>https://lolakramer.net/whaam-for-kaleidoscope</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/a1d99d45-f4d9-4085-9a2b-73d27cc66744/Screen+Shot+2022-07-25+at+8.27.36+PM.png</image:loc>
      <image:title>WHAAM!, FOR KALEIDOSCOPE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/5151e21f-1ffe-4103-9692-959171c40fa4/img-cookie-mueller_102304385434.jpg</image:loc>
      <image:title>COOKIE MUELLER, FOR KALEIDOSCOPE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/47d55b96-9a36-41cd-a286-20852d02ef13/2RachelRossin_RT-1024x640.jpg</image:loc>
      <image:title>RACHEL ROSSIN, FOR CURA</image:title>
      <image:caption>Rachel Rossin. Recursive Truth, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/erin-okeefe-for-frieze</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/0c583834-2c25-43a6-bdea-6c3824e0f766/erin-o-keefe-almost-time-2022.jpg</image:loc>
      <image:title>ERIN O'KEEFE, FOR FRIEZE</image:title>
      <image:caption>Erin O’Keefe, Almost Time, 2022. All images courtesy: the artist and Deutsche Bank</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/eli-ping</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/b1f6e890-e574-4640-aede-15c3b7a10730/eli-pingimage-for-website-overview-2.jpg</image:loc>
      <image:title>ELI PING, FOR GALERIE MARIA BERNHEIM</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-14</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/101240b8-da64-4b53-bf02-13798ff692d7/7+Gardens_Flyer_July+14_Opening_Lola-Kramer.jpg</image:loc>
      <image:title>7 GARDENS</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/green-river-project-for-capsule</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/2e063f48-97e3-4cd0-bac4-68ecfb40d206/kaleidoscope_capsule_0023_Lola-Kramer_Green-River-Project.jpeg</image:loc>
      <image:title>GREEN RIVER PROJECT, FOR CAPSULE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-29</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/4645d49c-c4ba-437f-88fa-4e48b2d0c488/Screen+Shot+2022-07-25+at+8.57.14+PM.png</image:loc>
      <image:title>FILIPINX, FOR KALEIDOSCOPE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/tobjrn-rdland-a-forthcoming-monograph</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/f9863c55-1c6b-4699-b276-44c54da74688/in-the-garden-torbjorn-rodland.jpeg</image:loc>
      <image:title>TOBJØRN RØDLAND, FOR A FORTHCOMING MONOGRAPH, PUBLISHED BY MACK</image:title>
      <image:caption>Torbjørn Rødland, In the Garden (detail), 2016. Chromogenic print on Kodak Endura paper 142,3 x 112,3 cm. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/forthcoming-nancy-holt-at-dunkunsthalle-new-york</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/2c5f6332-58d2-4976-8a82-a802d4938cf4/Holt-SunTunnels-portrait-ALister-1200pxW.jpg</image:loc>
      <image:title>NANCY HOLT: PERSPECTIVES, DUNKUNSTHALLE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/charlotte-vander-borght-for-baronian-galerie</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/edeb5fd3-7630-48d4-947c-72beba052452/PHOTO-2023-04-13-09-45-58.jpg</image:loc>
      <image:title>CHARLOTTE VANDER BORGHT, FOR BARONIAN, BRUSSELS - Make it stand out</image:title>
      <image:caption>Installation view: Charlotte vander Borght, Melody Lanes, Baronian, Brussels, April 2023. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/1baaf32b-a119-4002-9356-479ec991bd37/CVB_BARONIAN_LOLA-KRAMER.jpeg</image:loc>
      <image:title>CHARLOTTE VANDER BORGHT, FOR BARONIAN, BRUSSELS</image:title>
      <image:caption>Installation view: Charlotte vander Borght, Melody Lanes, Baronian, Brussels, April 2023. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/the-third-kind-management-gallery-new-york</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/2bf38355-40b9-4d2a-b443-9a66041dc882/2.jpg</image:loc>
      <image:title>THE THIRD KIND, MANAGEMENT GALLERY, NEW YORK</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/5b391b27-859b-4539-84a3-1a99cdbe9f9b/K42-Spread-7A.jpg</image:loc>
      <image:title>EMMA CLINE, FOR KALEIDOSCOPE</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-80</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/40d9cdbc-c6b2-4d9f-9512-e524018ebe72/Huma_Bhabha_MOCO_Montpellier_2023.jpeg</image:loc>
      <image:title>HUMA BHABHA, FOR ART BASEL</image:title>
      <image:caption>Huma Bhabha, 2022. Photograph by Daniel Dorsa. Courtesy of David Zwirner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-91</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/c3c2309f-74dd-457c-b45c-0ac321784360/K42-Cover-2_1200x1200.jpg.webp.jpeg</image:loc>
      <image:title>ALEX KATZ, FOR KALEIDOSCOPE</image:title>
      <image:caption>Photography by Jeremy Liebman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-72</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/0fd315a9-3449-4f17-86b1-a8e7fbdd78d7/Dante%27s.jpeg</image:loc>
      <image:title>JAMIAN JULIANO-VILLANI, FOR ARTFORUM</image:title>
      <image:caption>Jamian Juliano-Villani, Dante’s, 2024. Coutesy the artist and Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/bdf2ca99-9c87-4710-9c24-481845d47e16/Screenshot+2024-04-25+at+1.00.05%E2%80%AFPM.png</image:loc>
      <image:title>JAMIAN JULIANO-VILLANI, FOR ARTFORUM - Make it stand out</image:title>
      <image:caption>Jamian Juliano-Villani, Crunchie Boy, My Son (detail), 2019, acrylic on canvas, 72 × 96".</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/andrew-cranston-for-plus-magazine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/13ec7ecf-c780-4ada-bb47-b71d9982afc6/Screenshot+2024-04-25+at+1.04.58%E2%80%AFPM.png</image:loc>
      <image:title>ANDREW CRANSTON, FOR PLUS MAGAZINE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/20d7a340-e638-4599-8cf9-1bfa490b75a6/Screenshot+2024-04-25+at+1.05.14%E2%80%AFPM.png</image:loc>
      <image:title>ANDREW CRANSTON, FOR PLUS MAGAZINE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/dorothea-rockburne-bernheim-london</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/a841a981-7700-4d88-8322-629f00b1a174/Rockburne-Dorothea.jpg</image:loc>
      <image:title>DOROTHEA ROCKBURNE, BERNHEIM LONDON</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/new-page-90</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/f890657a-48b9-4587-852b-da24f4e92e3e/Julie+Beaufils+Slow+Definition+.jpg</image:loc>
      <image:title>JULIE BEAUFILS, FOR MATTHEW BROWN GALLERY</image:title>
      <image:caption>Julie Beaufils, Salted sea, 2024, Oil on linen, 23 5/8 x 23 5/8 in, 60 x 60 cm. Courtesy the artist and Matthew Brown Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://lolakramer.net/aki-goto-for-europa-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbb5e86348cd9793c54a58a/3927650d-d313-4746-a197-9c9b11ad16be/Aki-Goto_Europa_Eyes-on-Shine_Lola-Kramer.jpg</image:loc>
      <image:title>AKI GOTO, FOR EUROPA GALLERY</image:title>
      <image:caption>Detail from Aki Goto: Eyes on Shine at Europa Gallery in New York, May 2025.</image:caption>
    </image:image>
  </url>
</urlset>

